Review: ‘Edge of Democracy’ Looks at Brazil With Outrage and Heartbreak

By A.O. SCOTT

Edge of Democracy ()

Opening June 19, 2019

from NYT Critics' Pick https://nyti.ms/2KqRvh0
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‘Our Time’ Review: An Enthralling and Exasperating Take on Infidelity

By GLENN KENNY

Our Time ()

Opening June 14, 2019

from NYT Critics' Pick https://nyti.ms/2IAeDq8
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‘Hampstead’ Review: A Low-Key and Lively Look at an Unlikely Romance

By BILGE EBIRI

Hampstead (PG-13)

Opening June 14, 2019

from NYT Critics' Pick https://nyti.ms/2IdwjsC
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‘Blue Note Records’ Review: A Smart, Exhilarating Look at an Influential Label

By GLENN KENNY

Blue Note Records: Beyond the Notes ()

Opening June 14, 2019

from NYT Critics' Pick https://nyti.ms/2XJIKl9
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‘Rolling Thunder’ Review: A New Ballad of Bob, Sung by Marty

By MANOHLA DARGIS

Rolling Thunder Revue: A Bob Dylan Story by Martin Scorsese ()

Opening June 12, 2019

from NYT Critics' Pick https://nyti.ms/2XG6vuq
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‘The Raft’ Review: A Crew of 10 Set Adrift With a Moody Svengali

By A.O. SCOTT

The Raft ()

Opening June 7, 2019

from NYT Critics' Pick https://nyti.ms/2WtMsCQ
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‘The Last Black Man in San Francisco’ Review: Lost in a Dream City

By MANOHLA DARGIS

The Last Black Man in San Francisco (R)

Opening June 7, 2019

from NYT Critics' Pick https://nyti.ms/2JYyKBD
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‘Framing John DeLorean’ Review: The Man Who Flew His Car Too Close to the Sun

By GLENN KENNY

Framing John DeLorean (Not Rated)

Opening June 7, 2019

from NYT Critics' Pick https://nyti.ms/2K4gdn9
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‘Leto’ Review: Love and Rock in Leningrad

By JEANNETTE CATSOULIS

Leto ()

Opening June 7, 2019

from NYT Critics' Pick https://nyti.ms/31ahLS0
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